The Godzilla Project: A Few Thoughts on the Matter of Cloverfield
Thursday, January 31st, 2008
Tired of the jokes, the French take the Statue of Liberty back, slowwwwly
Cloverfield is an excellent horror movie.
It really works on a number of levels. The acting and dialogue are intelligent and believable; the pacing is gripping and speedy, without overdoing it; the camerawork, with its Blair Witch-like conceit, is very nicely done. Moreover, it is scary, and uses a wide variety of methods to achieve this scariness; indeed, virtually every method in the book, apart, thank Christ, from the something-jumps-out-suddenly method. There’s a scene in the darkness that is viscerally frightening, that hits you in the reptile brain. Then there’s the much-vaunted Statue of Liberty head, which really is marvelously effective, absolutely horrifying in a broad, conceptual sort of way. It is a very enjoyable movie, which succeeds in virtually everything it hopes to accomplish, and it is highly recommended.
What it is not is an especially good giant-monster movie.



